Mission: Impossible - Dead Reckoning Part One
Release Date | 10-July-23(United Kingdom) |
Language | English, French, Italian, Russian |
Genre | Action, Adventure, Thriller |
Director | Christopher McQuarrie |
Countries of origin | United States |
Writer | Bruce Geller, Erik Jendresen, Christopher McQuarrie |
Cinematography | Fraser Taggart |
Music Director | Loren Balfe |
Production | Paramount Pictures, Sky dance Media, TC Productions |
Duration | 2hr 43min |
Cast | Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson, Vanessa Kirby, Esai Morales, Pom Klementieff, Henry Czerny, Shea Whigham, Greg Tarzan davis, Frederick Schmidt, Mariela Garriga, Cary Elwes, Charles Parnell, Mark Gatiss, Indira varma, Rob Delaney |
About Mission: Impossible - Dead Reckoning Part One
Ethan Hunt and the IMF team must discover a terrifying new weapon that threatens all of humanity if it falls into the wrong hands. With the care of the future and the future of the world at stake, the death race begins all over the world. Faced with a mysterious all-powerful enemy Ethan i forced to consider that nothing is more important than a mission even the lives of those he cares about most.
Photos of Mission: Impossible - Dead Reckoning Part One
Mission: Impossible - Dead Reckoning Part One Trailer
Mission: Impossible - Dead Reckoning Part One in You Tube
This year (2023), I watched/rewatched (I only get a few chances to use that word) the entire Tom Cruise-Mission: Impossible oeuvre. It's not the worst when it comes to big Hollywood productions. I leave it to the filmmakers involved that they try to go with practical effects whenever possible and that CG is used in a way that never takes me out of the movies.Almost every scene is an actor on location or on set, not motion capture/green screen. I don't think Tom Cruise is an actor. Indeed, he is the textbook definition of a movie star. The films under Christopher McQuarrie have improved with each entry and I love the inclusion of physical comedy as part of the action sequences. These are all stupid movies, so let them be stupid.
This entry in the MI franchise is A.I. An enemy submarine is hunting the enemy using a Russian submarine to attack targets secretly. This turns out to be a trick by the AI, which partially destroys the sub and leaves the protected core of the computer buried at the bottom of the ocean. It is already networked with the world's information systems and can recruit allies in the human world.The only way to stop the threat to humanity is to find the McGuff… the two pieces of the key that can deactivate his core.
You'd never guess this next episode, but Ethan Hunt goes rogue when his lover, Ilsa Faust (Rebecca Ferguson), ends up with half of the key and her death is faked. Hunt brings the band back together, Benjy (Simon Pegg) and Luther (Ving Rhames), as the team must get to the Entity before it can harm anyone further. It turns out that the entity has partnered with Gabriel (Esai Morales),The movie Joe tries again to kill Ethan's true love, a woman we didn't see happen before the events of the first MI movie, I guess? Gabrielle's henchwoman is Paris (Pam Klementieff), a character from the show played by Leonard Nimoy.Don't get too attached; She is dead by the end of the film and we don't really learn much about her character. Oh yeah, there's Grace (Hayley Atwell), a thief who's unwittingly hired by the organization to steal half of Ethan's keys.
I remember seeing some differences between film and film years ago. Dead Reckoning is a good example of this. Most of the motion pictures made in the United States (and I suppose in India, but unfortunately, I only know their film industry from afar) are pure escapism. Dead Reckoning is a good example of this. Most of the motion pictures made in the United States (and I suppose in India, but unfortunately, I only know their film industry from afar) are pure escapism. There is certainly room for that. I mean, candy and junk food taste great; They are designed that way.When you look at films made in almost every corner of the planet, they are often more artistic, either highly impressionistic or neo-realistic, with an emphasis on exploring compelling themes or characters. Not all movies in this world work; I admit that many such films can be dull. However, when these "international" flicks click, they resonate strongly with me. I can't say I've ever had that feeling in an MI movie.
However, I can see the fun of MI even if I find it pretty forgettable fluff. The Venice car chase sequence was another great set piece in the franchise. More recent Bond flicks haven't felt as compelling in moments as the MI movies. I'm not saying there was zero digital trickery at work, but the way it was executed showed how you can make something that doesn't take the audience out of the story when you hide the seams.It got a real kick out of me, especially when Hunt and Grace move to Paris and things lean more towards the comedic side. More of that, please.
I am committed with the MI franchise at the moment; Similarly, I feel compelled to keep watching Fast and Furious movies. MI is the superior of the two franchises but it's not a real heated competition. That's like saying I prefer one fast-food burger place over another. At the end of the day, I don't have a dog in that fight. I appreciated that the US Intelligence Community comes across as the villains in Dead Reckoning, a planet where the bad guys are competing.I also sensed the tone hinting that episode two should be the end of Ethan's story. I don't think so, though. They keep trying to position other characters as heirs to the mantle. Remember Jeremy Renner from Ghost Protocol? Hayley Atwell sounds like the next IMF agent and does a great job here. I wouldn't mind seeing her take over the series from Cruise, but I also imagine the brains of a Hollywood executive and that's not going to happen.
If you have any douts, Please let me know