The Super Mario Bros. Movie
Release Date | 05-April-23(United Kingdom) |
Language | English |
Genre | Animation, Adventure, Comedy |
Director | Aaron Horvath, Michael jelenic, Pierre Leduc |
Countries of origin | United states, Japan |
Writer | Matthew Fogel |
Editing By | Eric E. Osmond |
Music Director | Koji Kondo, Brian Tyler |
Production | Universal Pictures, Nintendo, Illumination Entertainment |
Duration | 1hr 32min |
Cast | Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, Kevin Michael, Khary payton, Charles Martinest, Sebastian Maniscalco, Rino Romano, John Dimaggio, Jessica Dicicco, Keegan-Michael Key, Eric Bauza, Fred Armisen, Seth Rogen, Juliet Jelenic, Scott Menville, Carlos Alazraqui |
About The Super Mario Broos. Movie 2023
A Brooklyn plumber named Mario travels through the Mushroom Kingdom with a princess named Peach and a mushroom named Toad to find Mario's brother Luigi and save the world fro a pitiless monster named Bowser.
Photos of The Super Mario Broos. Movie 2023
The Super Mario Broos. Movie 2023 Trailer
The Super Mario Broos. Movie 2023 in You Tube
A famous video game character side-scrolls once again on the big screen in this gentle, mindless and frankly disturbing animated comedy.
One thing every great Mario game has in common, from 2D classics like Super Mario World to 3D installments like Super Mario 64 or the recent Nintendo Switch masterpiece Super Mario Odyssey, is a certain effortless charisma. No complicated backstory, no sardonic attitude, no pretense: just simple, straightforward video game fun, splashy visuals, tight controls and attention to detail bordering on perfection.
Illumination and Universal's “The Super Mario Bros. Movie,” the second attempt at a big-screen adaptation of the game franchise after the miserably failed “Super Mario Bros. (1993), gets a lot of things right about Mario, often with difficulty. The Mushroom Kingdom, the magical land in which the film is largely set, resembles the game's Mushroom Kingdom.Fireflowers, superstars, and question marks all look, sound, and act as they're supposed to, and when the infamous blue shell lures the fan, it spins, crashes, and explodes perfectly faithful to the source material. Even Mario (a meshy, fuzzy Chris Pratt ), who doesn't sound like the game's Mario, can still speak trademark catchphrases like "It's a-me" and "Let's go a-go".
But while the details are good, the characters are all wrong, trading the easy, harmless charm that has served the character so well since he was introduced in 1981 for glib. and deceptive air that leans toward winking humor and cynical irony. It's Mario in the Marvel mold: every line a punchline, every gag and a cryptic meta reference for nerds who can't get enough of that sort of thing.Served some spaghetti with mushrooms, Mario winces and says he doesn't like mushrooms. Because in searchin game kulam is seining mushroom, you see. Feeling fun yet?
In this presentation, directed by Aaron Horvath and Michael Jelenic, Mario and his timid younger brother, Luigi (Charlie Day), are upstart plumbers in Brooklyn who, for reasons that are needlessly complicated and curiously understated, enter this fantastical world. Princess Peach (Anya Taylor-Joy), Todd (Keegan-Michael Key) and the carefree Bowser (Jack Black).Everything that happens has some basis in the original game, in a way that often feels oppressively pandering, and the film's commitment to fan service often results in confusing decisions regarding the film.When Mario recruits Donkey Kong (Seth Rogen) to take on Bowser's army, they choose to travel by go-kart. Are go-karts inherently fun or engaging? No. Is there a logical reason why they would use go-karts? No. But the video game Mario Kart has go-karts, so they go in a cart.
Each level of the original Super Mario Bros. It ended with an excuse that became one of the program's themes: "Our princess is in the palace." In "Super Mario Bros. Movie" it is presented as a flat, tongue-in-cheek comedic concept, fun and predictable, meant to be enjoyable. and abundant character should be reduced to something so shrill and fundamentally cynical. And while every conceivable effort is made to make this "Mario" as Mario-like as possible, this attitude is antithetical to what the franchise stands for.
Illumination and Universal's “The Super Mario Bros. Movie,” the second attempt at a big-screen adaptation of the game franchise after the miserably failed “Super Mario Bros. (1993), gets a lot of things right about Mario, often with difficulty. The Mushroom Kingdom, the magical land in which the film is largely set, resembles the game's Mushroom Kingdom.Fireflowers, superstars, and question marks all look, sound, and act as they're supposed to, and when the infamous blue shell lures the fan, it spins, crashes, and explodes perfectly faithful to the source material. Even Mario (a meshy, fuzzy Chris Pratt ), who doesn't sound like the game's Mario, can still speak trademark catchphrases like "It's a-me" and "Let's go a-go".
But while the details are good, the characters are all wrong, trading the easy, harmless charm that has served the character so well since he was introduced in 1981 for glib. and deceptive air that leans toward winking humor and cynical irony. It's Mario in the Marvel mold: every line a punchline, every gag and a cryptic meta reference for nerds who can't get enough of that sort of thing.Served some spaghetti with mushrooms, Mario winces and says he doesn't like mushrooms. Because in searchin game kulam is seining mushroom, you see. Feeling fun yet?
In this presentation, directed by Aaron Horvath and Michael Jelenic, Mario and his timid younger brother, Luigi (Charlie Day), are upstart plumbers in Brooklyn who, for reasons that are needlessly complicated and curiously understated, enter this fantastical world. Princess Peach (Anya Taylor-Joy), Todd (Keegan-Michael Key) and the carefree Bowser (Jack Black).Everything that happens has some basis in the original game, in a way that often feels oppressively pandering, and the film's commitment to fan service often results in confusing decisions regarding the film.When Mario recruits Donkey Kong (Seth Rogen) to take on Bowser's army, they choose to travel by go-kart. Are go-karts inherently fun or engaging? No. Is there a logical reason why they would use go-karts? No. But the video game Mario Kart has go-karts, so they go in a cart.
Each level of the original Super Mario Bros. It ended with an excuse that became one of the program's themes: "Our princess is in the palace." In "Super Mario Bros. Movie" it is presented as a flat, tongue-in-cheek comedic concept, fun and predictable, meant to be enjoyable. and abundant character should be reduced to something so shrill and fundamentally cynical. And while every conceivable effort is made to make this "Mario" as Mario-like as possible, this attitude is antithetical to what the franchise stands for.
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